poems and prose from a confused english student
My piece ‘Time’ on FVR:
Tonight’s the night! And my wicked finger whistled
On it’s way out.
Moody old pillow-head grovels, snivels, wriggles;
Only a year heaven knows that’s no proper. Youth-fools. Gingerly,
Right Time peeks above the wafting fray. We’ve been pine-tree lovers, grinned at
Rings for others.
Oh, how frail my heart; she
Would to take the gentle hand, curled like a shell, of her who stayed the wait.
Lois E. Linkens
My piece ‘Queenie’ on SD:
White slip of night at the shore,
And the fox-eyed pebbles wink at
The cold pearl moon. The freshwater stream,
Like silver silk
Heralds the flush of the waves, the bubbling spits
Of the shallows, stones like eyes, stones like saucers,
Like griddle cakes. There comes a woman,
Without a coat, silver-wax shoulders studded
With gooseflesh. She walks,
Toward the black water and the night-worms
Hear her singing, overhead her socked feet damp
And bottoms gritty,
A soft knitted invasion.
There is a country, far beyond the stars
Her red hat
Like a herring on a line sways with her
Narrow peg shoulders
And the sea
Is tar on her woollen toes.
Lois is a poet and student from England. She is studying the literature of the Romantics and hopes their values and innovations will filter through into her own work. She is working on longer projects at present…
View original post 53 more words
My piece ‘Treesap’ on FVR today:
‘A measure of Bailey’s,’ and the blue-haired
Barmaid smiles, as steam rushes from the coffee
Machine. Eyes stare back, small glasses squared
And neck fluffed under the swirled bun, sticky
Like a grey Danish, left from clipping dry
On evenings with the clippers and beauty
Compact in the bathroom mirror; dried cacti
On the windowsill. At that bar, I’ll see
Your soul rising with the steam. Sweet and high,
And the ring it left like an eclipse would
Not come off, though I baking-soda-tried.
We stopped scrubbing and drank snowballs outside
In the bright, green garden full of driftwood.
With amber necks like maple tears, we sigh.
Lois E. Linkens
Wild tea
On a painted table
The colour of the sea. Geraniums,
Pink as lips
On the rocky sill.
Dandelion suns,
Marshall the sand path
Like lights on a runway,
And the stones are grey and flat.
Metal train tube with sooty teat.
The ticket, University
To Gloucester, stuck like a moon flag
Out the green seat.
I waited, baggage clutched
And volume low
But no Gloucester-bound traveller
Ever did show.
My piece ‘Bernard’ on SD:
The basement of Harry’s
With damp in the walls,
Grey chairs, digestives
And no outward calls.
The biscuits were homely.
Rik’s mother had kept
A Stash for the British
Beneath the back step.
She had soft eyes. When
The bad news came,
A line like a needle
Appeared at each name.
Three days, playing
Silent strip poker; ‘Let’s die all hot.’
Lurid, she whispered
To deafen the rot.
And I bought a new Renault
With the winnings.
She mouthed, from the pavement:
‘New, red beginnings.’
Lois is a poet and student from England. She is studying the literature of the Romantics and hopes their values and innovations will filter through into her own work. She is working on longer projects at present, with a hope to publish poetry collections and novels in the years to come. She is a feminist, an nostalgic optimist, and a quiet voice in the shadows…
View original post 25 more words
My latest piece on FVR, for March’s theme of ‘Redemption’
A murm’ring herd gathers, like white beans. Stoic-bright-eyed sheep
Waiting, as they do, on the skyborn shepherd’s keep.
Dirtied coats. One’s lost a leg; there’s talk it were a fight and that.
One’s shiv’ring ‘neath a tatty hat
Weary from the morrow’s walk.
Sheep on the left is blue as day, pinks as daylight slips away.
Oft dusty rose or hot like Lycra’s leather, or shades of heather.
Their friend’s all sort of shade; afterstorm has struck at birth –
See, her image curving above the earth.
Toward the back – some boy
With poor wet coat, mud and sweat full cloy. Some have wool like wires
And few, unhappy few, have none at all
Curled like spring roses in a fragile, tissue ball.
These are the unwashed herd; the pebbles on the Bride’s pearlescent crown.
The sky fades, the grass dries and the whimp’ring cries
Are hid by trumpet…
View original post 12 more words
And I was away,
While you shone by the old red buildings
And years of wealth. I was away
Doing mine.
You spoke, you speak
Like you planned it; words like petals,
Soft and bright. I press them,
Between heavy books
And smell them on my bedside. You kept free,
When the walls drew in.
And I’ll keep free,
Choosing colour over sullenness
And silence. I know,
You liked his melting eyes
And his sharp face, and
How he made you feel, the shape of him
But in the black-light –
It’s all blue. A great field of it,
Loud and fluorescent and staining.
It’ll stop raining,
And the wet pavements
In the hot streetlamps
Will be gold.
Shifting, ragged cloth
A funerary shrouded sound
Her footfalls bring dust
Hard and grey
From the cemetery ridge
Cheeks, streaked in salt
A patchwork of wrinkles
Her breath in grieving gasp
Dry and thin
Smell of evening invades
Fingers, knuckle bone dregs
Sepulchral grime under nails
Tangle and cling to life
Tremble and shake
All for the want of an offering
Back home, the blood has pooled
And the sheets are soaked.
Raspberry leaf, fenugreek
Linger on his jacket furs.
His boots take him –
The priest with his sad, kind eyes
And black book
Await. A cold blue face, like dough.
Purple lips and running nose.
That was bottled Hope.
Better fetch it, to be sure. Fetch the Light.
And by its amber glow,
The last gold leaf of autumn,
Lift cold palms to the unknown morning.
Frankincense, to ease the needless scars,
Oily hands shine in the soft light.
To wander
Beyond the light of this world
That is his fate
Now
In lighting for him
This tiny beacon
She sets him on a path
She cannot follow
To guide his shade
Down the narrow path
Between worlds
Lined with broken shale
And scrub-lillies
And the whispered shadows
Of winged things
And many faced gods
Mayhaps her voice
Will pierce the veil
On the nights
Of All Hollow’s Eve
And his pale spirit
Will fix its eyes
Upon the mortal fabric
This light will be an anchor
These moonbeam threads
Are dull on the shelf. ‘Tis hours,
And blistered hands, and business
And yet ‘tis hardly work.
Lined up, soft white soldiers.
That flick’ring death (slow and hot and red)
Gives solace
In a quiet, empty place.
In the space of time
from wick to end
count the hours
until the dawn
and never shall it be
longer than the space
of a single heartbeat
for the one who stands
fist over heart
staring into
the frozen earth
that now holds a
beloved
My most recent piece is up on Sudden Denouement this week:
This burnished arras, the fibre’s thick
Like short red grass. I know t’other face
With heavy gold and Denmark’s seal.
Those bleats of pain are crass
Behind so fine a pile.
A shadowy place, a maskéd face.
The fibre’s thick. I see a powd’ry moon,
I see a flying bird. A crouching beast,
A quiet man, fellows lost in the grasses
As they rise, blood ropes t’wards the skies.
I see them glint.
Lois is a poet and student from England. She is studying the literature of the Romantics and hopes their values and innovations will filter through into her own work. She is working on longer projects at present, with a hope to publish poetry collections and novels in the years to come. She is a feminist, an nostalgic optimist, and a quiet voice in the shadows of Joanne Baillie and Charlotte Smith. It is a pleasure to present…
View original post 14 more words
